change is good change is good

werkzeug

time to put it on show!

http://www.lacan.com/badpre.htm

"the name of the bow is life; its work is death" Heraclitus

gisela pankow

http://www.gold.ac.uk/history/news-events/hysterical/

http://ojp.nationalrail.co.uk/service/timesandfares/London/OBN/050413/1330/dep/100413/1130/dep

last week's story

this week's story

and free spirit

between the animal and the superman

dorthe's nancy quote:

“-For me the body is first a hole, a tube if you want, and around the tube is a skin. The first character of this topology is that it is a resounding thing. The air can go through the tube and you have the skin over it and you produce music. The body is at first a certain sound, and that sound is the voice. “

Emily

I cannot live with You –  It would be Life –  And Life is over there –  Behind the Shelf The Sexton keeps the Key to –  Putting up Our Life – His Porcelain –  Like a Cup –  Discarded of the Housewife –  Quaint – or Broke –  A newer Sevres pleases –  Old Ones crack –  I could not die – with You –  For One must wait To shut the Other's Gaze down –  You – could not –  And I – could I stand by And see You – freeze –  Without my Right of Frost –  Death's privilege? Nor could I rise – with You –  Because Your Face Would put out Jesus' –  That New Grace Glow plain – and foreign On my homesick Eye –  Except that You than He Shone closer by –  They'd judge Us – How –  For You – served Heaven – You know, Or sought to –  I could not –  Because You saturated Sight –  And I had no more Eyes For sordid excellence As Paradise And were You lost, I would be –  Though My Name Rang loudest On the Heavenly fame –  And were You – saved –  And I – condemned to be Where You were not –  That self – were Hell to Me –  So We must meet apart –  You there – I – here –  With just the Door ajar That Oceans are – and Prayer –  And that White Sustenance –  Despair –

the unsolved issue of consciousness

Nishida Kitarō

http://muse.jhu.edu/journals/philosophy_east_and_west/v062/62.1.kitar.html

cross discipline

 mountainous 
beckett
matthew broome
laura salsbury and ? at warwick

Wellcome Trust

Death: A self-portrait

15 November 2012 - 24 February 2013

wombtomb

Hauser and Wirth

Eva Hesse

30 January – 9 March 2013, Hauser & Wirth London,
Savile Row

Opening: Tuesday 29 January 6 – 8 pm

In 1964, Eva Hesse and her husband Tom Doyle were invited by the industrialist Friedrich Arnhard Scheidt to a residency in Kettwig an der Ruhr, Germany. The following fifteen months marked a significant transformation in Hesse’s practice. ‘Eva Hesse 1965’ brings together key drawings, paintings and reliefs from this short, yet pivotal period where the artist was able to re-think her approach to colour, materials and her two-dimensional practice, and begin moving towards sculpture, preparing herself for the momentous strides she would take upon her return to New York.

Hesse’s studio space was located in an abandoned textile factory in Kettwig an der Ruhr. The building still contained machine parts, tools and materials from its previous use and the angular forms of these disused machines and tools served as inspiration for Hesse’s mechanical drawings and paintings. Sharp lines come together in these works to create complex and futuristic, yet nonsensical forms, which Hesse described in her writings as ‘…clean and clear – but crazy like machines…’.

Omnipotent

don't pretend its beautiful, just because it does what you want

getting in. (1989)

http://www.ubu.com/film/silver_getting.html

je me souviens

http://ubumexico.centro.org.mx/sound/perec_georges/interviews/2/Perec-Georges_Text-Interviews_04-I-Remember-Je-me-souviens.mp3

whose shame?